入侵脑细胞2

想象一下，连环杀手一次又一次的侵入到被害人的脑中，直到被害人祈求永久地死去。这一次，美丽的女探员换成了苔丝·圣地亚哥。

行车记录仪

A caustic online streamer’s anarchic behaviour triggers a non-stop nightmare in the latest screenlife frightfest from Rob Savage (Host).

追球

那些年，球场上的你，球场外的我……足球少年、青涩少女、校园琴声、赛场呼啸，一幅幅充满回忆杀的画面，一个深情又燃情的故事。左脚追爱，右脚追球。进不进球不重要，有没有后来不重要，重要的是——青春来过，爱情来过。

宋慈之河神案

宋慈之河神案_正片

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

人在纽约

来自两岸三地的三位中国女人，大陆女子赵虹（斯琴高娃 饰）、台湾女子黄雄屏（张艾嘉 饰）以及香港女人李凤娇（张曼玉 饰）因缘际会在他乡异地美国纽约相遇相知，很快成为了朋友。然而不同的出身背景以及思想观念让三人矛盾尽现。与美籍华人刚刚结婚的赵虹，对移民生活抱着无限憧憬与向往；在美国生活了十多年的黄雄屏，早已深受美式思想影响，醉心于舞台艺术，一心想跻身美国舞台，被美国人接受；而个性独立的香港移民李凤娇，则相信在任何地方都能生存下去，更要找到自己在美国的位置与价值。她们在异乡交流自己的感情与看法，却又不得不面对各自的问题。 由关锦鹏执导，张艾嘉、张曼玉、斯琴高娃三大影后联袂主演的影片《人在纽约》，荣获第26届台湾金马奖最佳剧情片、最佳女主角、最佳摄影、最佳原著剧本在内的八项大奖。

熊的传说2

本片是迪斯尼2003年《熊的传说》的衍生剧情，可奈（帕特里克·德姆西 Patrick Dempsey 配音）变成熊以后，和小熊柯达（杰瑞米·苏雷斯 Jeremy Suarez 配音）生活在一起，成为形影不离的兄弟，有时在梦中也会想起从前还是人时的事情，以及小时候青梅竹马 的女孩尼塔（曼迪·摩尔 Mandy Moore 配音），回忆起和尼塔一起去哈卡你瀑布似的事情，他曾在那里把自己的链坠送给尼塔。许多年后，尼塔长大成人，是谈婚论嫁的时候了，此时的可奈身边也有了一个形影不离的好伙伴柯达，它们无忧无虑地生活在丛林里。 尼塔终于要出嫁了，婚礼简朴却不失隆重，但就在新郎将要执起新娘的手时，神却在这时指示说：不行，他们不能成婚。原因是尼塔从小时候起就已经爱上了另外一个男孩——熊男孩可奈。神给了尼塔三天时间，要她携同看一起去他们定情的地方把项链烧毁。于是，尼塔找到可奈，连同柯达三人开始了一段不寻常的旅途……

彬与瑛

本剧改编自著名作家池井户润的同名小说，讲述了大企业的第二代、注定要继承社长之位的阶堂彬（向井理 饰），与父亲公司破产连夜逃亡却心怀梦想的山崎瑛（斋藤工 饰）两个男人在泡沫经济崩坏前后的大时代中奋斗拼搏的故事。 　　同是东大出身的两人一起进入银行成为同期新人进行研修，最后成绩优秀的两组进行融资战略实践。彬所在得小组代表的是申请融资的企业一方，而瑛所在的小组是对融资申请进行斟酌考量的银行一方，由此展开了一场流传后世的著名胜负战。 　　同名「Akira」的两人从幼年到青年时期几经命运般的交错却不知。故事以日本泡沫经济及其崩坏时期为背景，满载反抗、和亲友别离、至亲离世、初恋、应试、就业、成功、挫折......这些人生岔路的关键词，是敌亦是友的两人展开了一场“宿命之争”。

22-23赛季法甲第1轮 里尔VS欧塞尔

拉塞尔女孩

莎拉·拉塞尔(爱波·塔布琳饰演)得了白血病，回到了故乡；由于小时候的失误，邻居的小女儿死了。接着发生的故事，主题是救赎。

喜马拉雅：风驻足之地

落魄的中年韩国男人跟着向导游走于尼泊尔的雪域高原，严重的高原反应让他昏迷过去，醒来后他发现自己已经被送到目的地。男人叫崔（崔岷植饰），目的地这家人在等待一个叫道基的男人，道基是这家的男主人，去韩国了打工。崔不忍心告诉他们道基意外身亡的消息，只是交给他们一些钱，谎称是道基送来，而且告诉他们说道基很好，自己只是假期来旅行。在这里崔听说风会把人此生的因果报应带走，之后人们便会邂逅自己的魂灵。道基已经身亡的事情最终还是被这家人发现，他们在风中把道基的骨灰撒向大地。崔带着对着远在美国妻女的牵挂，离开那个一如既往的空灵与静谧村落，向着更高处走去。\r此片是第13届釜山国际电影节的参展影片。

水果篮子2019

本田透（堀江由衣 配音）是一名单纯善良的女子高中生。母亲过世后，无处可去的她在误打误撞之中住进了校草草摩由希（久川绫 配音）的家中。草摩由希家里有十二口人，很快，本田透就发现了他们身上的秘密。原来，草摩家族里流传着一个诅咒，那就是他们每个人都对应着十二生肖里的一种动物，另外一个，则是猫妖。 　　个性冷淡，非常内向的草摩夹（关智一 配音）、幽默风趣的草摩紫吴（置鲇龙太郎 配音）、活泼可爱积极乐观的草摩红叶（斋藤彩夏 配音）、有着复杂过去的草摩波鸟（井上和彦 配音），在知道了这些表面开朗的人们背后隐藏的伤痛后，本田透会怎样给予治愈呢？