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心底里的名字

学妹袁初雨偶遇曾暗恋的学长梁泽，两人开始了一段充满悸动与热烈的爱情。然而就在爱得浓烈的至高点时，学长不辞而别。多年后再度重逢，学长已改名为白泽，变身为一个稳重、冷感的成熟男人。随着谜团逐渐解开，两人的关系就在推拉中再次碰撞出火花时。一个叫苏晴的女人却突然闯入…

龙林逃生

《龙林逃生》讲述了陈义天、吴勇、梁丽娜、王燕玉等人坐着冒险之旅客运车前去原始森林历险旅游，途中车子出现故障遇到红火蚁、恐龙和被恐龙袭击的虎哥等人，大家互相关心、互相帮忙，最终安全地逃出了奇妙的原始森林。

爱

影片讲述，宇航员LeeMiller与地球失去了联系，他一个人生活在国际空间站、周而复始得环绕着地球。但随着时间的流逝，生命供给系统日趋耗尽，Lee必须想尽一切办法维持头脑的情形——或者致死最低限度的生存。他的生活是幽闭恐惧症与孤独的存在，直到他在飞船上有了一个奇怪的发现……影片探讨了人类对交流最基本的需求与希望无限的力量。

我的充气恋人

一个六十多岁的独居中年男子选择抱着充气娃娃跳楼了。因为娃娃先落地而捡回一命。他说：寂寞和舆论杀了他。卖给他娃娃的年轻卖家小丁（唐振刚饰），独自住在女娃满布的房间里，却没有交过女朋友，每天抱娃娃睡觉，他唯一的愿望就是跟客户合照赢得大奖，可以带房东的小孙女去日本找妈妈。一个三十多岁的B咖演员大雄（周咏轩饰），奋斗了十年，却因为一个低俗的广告走红，他讨厌这个广告，更讨厌走红后突然冒出来的妈妈。某天，小丁竟然不小心把自己最爱的娃娃送错给演员，他开始疯狂追讨，也开始踏入别人的寂寞。充气娃娃之恋？不是，只是简单的恋母情结罢了。他搜集这个城市的寂寞，不被人懂的寂寞。

共和国血脉

上世纪五十年代初，新中国刚刚成立不久，百废待兴，朝鲜战火又起，内忧外患石油成为共和国急需的血液，为了打破帝国主义的经济封锁，正在陕南剿匪的西北军区某部近万人，奉毛主席之令，在汉中就地改编，踏上为共和国寻找“血脉”之路。以刘福生、高建成、林红为代表的石油人，怀着“流血流汗不扯退，拼命也要找到大油田”的信念，艰难攻关，改造土匪和特务，战胜地震，洪水，火灾，井喷，雪灾等艰难险阻，相继开发了玉门、柴达木、克拉玛依、四川、大庆、胜利等大油田，为共和国找到了石油这条血脉。他们的青春、爱情、家庭都染上了石油的色彩。他们的儿女，继往开来，生在大油田，长在大油田，爱在大油田，前仆后继，不仅将老石油田发扬光大，还开发出了海上大油田！这血脉相连的两代人，演绎了新中国石油发展史上壮怀激烈、威武雄壮的史诗。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

爱情的羁绊

法国恺撒奖最佳男演员提名奖得主夏尔·贝尔林和知名女星埃曼纽尔·贝阿全力打造《爱情的羁绊》，米歇尔·德维尔担当导演。影片讲述，夏尔饰演的子爵为了结婚不得不抛弃在咖啡馆做歌手的情妇塞特（艾曼纽·贝阿饰）……在隐瞒了一段时间后，二人终于在结婚的庆典上重修旧好。

NBA常规赛 灰熊VS马刺 20231119

我妻子的新妈妈

　　男人心的年轻岳母来了！ 岳父寄人篱下的泰浩25岁年轻岳母给恩情总是目光。丰满的胸部和狼疮狼疮的腰部和臀部都非常生气。简直是善良的身材的年轻岳母。而且她也给泰浩有兴趣。总是暗暗地泰号诱惑的手给我。岳父和老婆不在家的周末，泰浩和年轻的金场中的欲望。

开学悸

　　《开学悸》由《伤疤》、《相见》和《自习室》三个故事组成，以风靡一时的真实校园怪谈为题材，使这些古老的传说在不同的时空中重现活力。影片以女生桃子独自在自习室等待男友的场景展开，男友在电话中给桃子讲了两个校园中的恐怖传说，直到两个故事结束，男友都没有出现，而与此同时，一个黑影正从桃子的身后慢慢接近她，就此展开了影片的第三个故事。

结婚对象靠抽选

野村周平CX系连续剧《结婚对象靠抽选》初主演。在政府实施“抽选相亲结婚法(条件：限定年龄在25～39岁的男女、无前科、无婚史、无孩子。”的平行世界的日本，不受欢迎、人间不信、洁癖内向的单身男主质疑“结婚到底是不是公民的义务啊？” 　　共演高梨临、大谷亮平、佐津川爱美、若村麻由美